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Aimé Césaire

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Subject: The Tempest, Frantz Fanon, Négritude, Édouard Glissant, Présence Africaine
Collection: 1913 Births, 2008 Deaths, 20Th-Century French Poets, Communist Poets, Communist Writers, École Normale Supérieure Alumni, French Communist Party Politicians, French Male Poets, French People of Martiniquais Descent, French Poets, Lycée Louis-Le-Grand Alumni, Martinican Progressive Party Politicians, Martiniquais Communists, Martiniquais People of Igbo Descent, Martiniquais Writers, Marxist Poets, Marxist Writers, Members of the National Assembly of the French Fifth Republic, Members of the National Assembly of the French Fourth Republic, People from Basse-Pointe, Presidents of the Regional Council of Martinique
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Aimé Césaire

Aimé Fernand David Césaire
An image of Aimé Césaire in 2003 on a desk reading the cover of a book.
Aimé Césaire in 2003
Born Claude Pierre
(1913-06-26)26 June 1913
Basse-Pointe, Martinique
Died 17 April 2008(2008-04-17) (aged 94)
Fort-de-France, Martinique
Known for Poet, politician
Political party Parti Progressiste Martiniquais
Spouse(s) Suzanne Roussi
Website http://www.cesaire.org/

Aimé Fernand David Césaire (26 June 1913 – 17 April 2008) was a Francophone and French poet, author and politician from Martinique. He was "one of the founders of the négritude movement in Francophone literature".[1] He wrote such works as Une Tempête, a response to Shakespeare’s play The Tempest, and Discours sur le colonialisme (Discourse on Colonialism), an essay describing the strife between the colonizers and the colonized. His works have been translated into many languages.

Contents

  • Student, educator and poet 1
  • World War II 2
  • Political career 3
  • Later life 4
    • Legacy 4.1
  • Works 5
    • Poetry 5.1
    • Theatre 5.2
    • Other writings 5.3
  • See also 6
  • Notes 7
  • References 8
  • External links 9

Student, educator and poet

Aimé Césaire was born in Basse-Pointe, Martinique, in 1913. He considered himself of Igbo descent from Nigeria, and considered his first name Aimé a retention of an Igbo name.[2] He traveled to Paris to attend the Lycée Louis-le-Grand on an educational scholarship. In Paris, Césaire, who in 1935 passed an entrance exam for the École Normale Supérieure, created, with Léopold Sédar Senghor and Léon Damas, the literary review L'Étudiant Noir (The Black Student). In 1936, Césaire began work on his long poem Cahier d'un retour au pays natal, a vivid and powerful depiction of the ambiguities of Caribbean life and culture in the New World and this upon returning home to Martinique.

Césaire married fellow Martinican student Suzanne Roussi in 1937. Together they moved back to Martinique in 1939 with their young son. Césaire became a teacher at the Lycée Schoelcher in Fort-de-France, where he taught Frantz Fanon and served as an inspiration for, but did not teach, Édouard Glissant. Césaire would become a heavy influence for Fanon as both a mentor and a contemporary throughout Fanon's short life.

World War II

The years of World War II were ones of great intellectual activity for the Césaires. In 1941, Aimé Césaire and Suzanne Roussi founded the literary review Tropiques, with the help of other Martinican intellectuals such as René Ménil and Aristide Maugée, in order to challenge the cultural status quo and alienation that then characterized Martinican identity. Many run-ins with censorship did not deter Césaire from being an outspoken defendant of Martinican identity. He also became close to French surrealist poet André Breton, who spent time in Martinique during the war. (The two had met in 1940, and Breton would champion Cesaire's work.)[3]

In 1947, his book-length poem Cahier d'un retour au pays natal (Notebook of a Return to the Native Land), which had first appeared in the Parisian periodical Volontés in 1939 after rejection by a French book publisher,[4] was published.[5] The book mixes poetry and prose to express his thoughts on the cultural identity of black Africans in a colonial setting. Breton contributed a laudatory introduction to this 1947 edition, saying that the "poem is nothing less than the greatest lyrical monument of our times."[6]

Political career

An image of one of Aimé Cesairé's books, Cadastre (1961) and Moi, laminaire (1982)
Cadastre (1961) and Moi, laminaire (1982)

In 1945, with the support of the French Communist Party (PCF), Césaire was elected mayor of Fort-de-France and deputy to the French National Assembly for Martinique. He was one of the principal drafters of the 1946 law on departmentalizing former colonies, a role for which independentist politicians have often criticized him.

Like many Left-wing politics intellectuals in France, Césaire looked in the 1930s and 1940s toward the Soviet Union as a source of human progress, virtue, and human rights, but Césaire later grew disillusioned with Communism. In 1956, after the Soviet Union's suppression of the Hungarian revolution, Aimé Césaire announced his resignation from the PCF in a text entitled Lettre à Maurice Thorez. In 1958 he founded the Parti Progressiste Martiniquais.

His writings during this period reflect his passion for civic and social engagement. He wrote Discours sur le colonialisme (Discourse on Colonialism) (1955; English translation 1957), a denunciation of European colonial racism, decadence, and hypocrisy that was republished in the French review Présence Africaine in 1955. In 1960, he published Toussaint Louverture, based on the life of the Haitian revolutionary. In 1969, he published the first version of Une Tempête, a radical adaptation of Shakespeare's play The Tempest for a black audience.

He served as President of the Regional Council of Martinique from 1983 to 1988. He retired from politics in 2001.

Later life

In 2006, he refused to meet the leader of the Union for a Popular Movement (UMP), Nicolas Sarkozy, then a probable contender for the 2007 presidential election, because the UMP had voted for the 2005 French law on colonialism that required teachers and textbooks to "acknowledge and recognize in particular the positive role of the French presence abroad, especially in North Africa", a law considered by many as a eulogy to colonialism and French actions during the Algerian War. President Jacques Chirac finally had the controversial law repealed.

On 9 April 2008, Césaire had serious heart troubles and was admitted to Pierre Zobda Quitman hospital in Fort-de-France. He died on 17 April 2008.[7]

Césaire was accorded the honour of a state funeral, held at the Stade de Dillon in Fort-de-France on 20 April. President Nicolas Sarkozy was present but did not make a speech. Pierre Aliker, who served for many years as deputy mayor under Césaire, gave the funeral oration.

Legacy

Martinique's airport at Le Lamentin was renamed Martinique Aimé Césaire International Airport on 15 January 2007. A national commemoration ceremony was held on 6 April 2011, as a plaque in Aimé Césaire's name was inaugurated in the Panthéon in Paris.[8]

Works

Each year links to its corresponding "[year] in poetry" article for poetry, or "[year] in literature" article for other works:

Poetry

  • 1939: Cahier d'un retour au pays natal, Paris: Volontés, OCLC 213466273.
  • 1946: Les armes miraculeuses, Paris: Gallimard, OCLC 248258485.
  • 1947: Cahier d'un retour au pays natal, Paris: Bordas, OCLC 369684638.
  • 1948: Soleil cou-coupé, Paris: K, OCLC 4325153.
  • 1950: Corps perdu, Paris: Fragrance, OCLC 245836847.
  • 1960: Ferrements, Paris: Editions du Seuil, OCLC 59034113.
  • 1961: Cadastre, Paris: Editions du Seuil, OCLC 252242086.
  • 1982: Moi, laminaire, Paris: Editions du Seuil, ISBN 978-2-02-006268-8.
  • 1994: Comme un malentendu de salut ..., Paris: Editions du Seuil, ISBN 2-02-021232-3

Theatre

  • 1958: Et les Chiens se taisaient, tragédie: arrangement théâtral. Paris: Présence Africaine; reprint: 1997.
  • 1963: La Tragédie du roi Christophe. Paris: Présence Africaine; reprint: 1993; The Tragedy of King Christophe, New York: Grove, 1969.
  • 1969: Une Tempête, adapted from The Tempest by William Shakespeare: adaptation pour un théâtre nègre. Paris: Seuil; reprint: 1997; A Tempest, New York: Ubu repertory, 1986.
  • 1966: Une Saison au Congo. Paris: Seuil; reprint: 2001; A Season in the Congo, New York, 1968 (a play about Patrice Lumumba).

Other writings

  • .
  • .
  • .[9]
  • .

See also

Notes

  1. ^ Ben A. Heller "Césaire, Aimé", in Daniel Balderston et al. (eds) Encyclopedia of Latin American and Caribbean Literature, 1900-2003, London: Routledge, pp. 128-30, 128.
  2. ^
  3. ^ Auster, Paul (ed.), The Random House Book of Twentieth-Century French Poetry: with Translations by American and British Poets, New York: Random House, 1982. ISBN 0-394-52197-8
  4. ^ "Aimé Césaire", in Donald E. Herdeck (ed.), Caribbean Writers: A Bio-Bibliographical-Critical Encyclopedia, Washington, DC: Three Continents Press, 1979, p. 324.
  5. ^ "Commentary." Notebook of a Return to the Native Land (Middleton, CT: Wesleyan University Press, 2001), p. 53.
  6. ^ "A Great Black Poet." Notebook of a Return to the Native Land (Middleton, CT: Wesleyan University Press, 2001), p. xiii.
  7. ^
  8. ^ "Décret du 16 mars 2011 décidant d'un hommage de la Nation à Aimé Césaire au Panthéon", JORF No. 64, 17 mars 2011, p. 4839, texte No. 37, NOR MCCB1105232D, sur Légifrance.
  9. ^

References

  • Césaire, Aimé (1957), Letter to Maurice Thorez, Paris: Présence Africaine, p. 7.
  • Césaire, Aimé. Notebook of a Return to the Native Land. Trans./eds Clayton Eshleman and Annete Smith, with an introduction by André Breton. Middleton, CT: Wesleyan University Press, 2001.
  • Christian Filostrat, "La Négritude et la 'Conscience raciale et révolutionaire sociale' d'Aimé Césaire". Présence Francophone, No 21, Automne 1980, pp. 119–130.
  • Joubert, Jean-Louis. "Césaire, Aimé." In Dictionnaire encyclopédique de la littérature française. Paris: Robert Laffont, 1999.
  • Malela, Buata, "Le rebelle ou la quête de la liberté chez Aimé Césaire", Revue Frontenac Review, 16-17, Queen’s University, Kingston (Ontario), 2003, pp. 125–148.
  • Malela, Buata, "Les enjeux de la figuration de Lumumba. Débat postcolonial et discours en contrepoint chez Césaire et Sartre", Mouvements, n° 51, 2007/3, pp. 130–141.
  • Malela, Buata B., Les écrivains afro-antillais à Paris (1920–1960). Stratégies et postures identitaires. Paris, Karthala, coll. Lettres du Sud, 2008.
  • Malela, Buata B., Aimé Césaire. Le fil et la trame: critique et figuration de la colonialité du pouvoir. Paris, Anibwe, 2009.
  • Ojo-Ade, Femi, Aimé Césaire's African Theater: Of poets, prophets and politicians, Africa World Press, Inc., 2010.

External links

  • Aime Cesaire, biography, by Brooke Ritz, Postcolonial Studies website, English Department, Emory University, 1999.
  • Aimé Césaire, bibliography, biography, and links (in French), "île en île", City University of New York, 1998-2004.
  • Petri Liukkonen. "Aimé Césaire". Books and Writers (kirjasto.sci.fi). Archived from the original on 4 July 2013.
  • Khalid Chraibi, an interview with Aimé Césaire, (in French) on occasion of the Paris première of "La Tragédie du Roi Christophe" in 1965.
  • Official tribute site to Aimé Césaire.
  • "Out of Defeat: Aimé Césaire's Miraculous Words". Tribute by Colin Dayan.
  • Aime Cesaire, 1913-2008: Remembering the Life and Legacy - video report by Democracy Now!.
  • Aimé Césaire, by Mabogo Percy More, May 2008.
  • L'Etudiant Noir, Journal Mensuel de l'Association des Etudiants Martiniquais en France, PREMIERE ANNEE N. 3 MAI-JUN 1935,
  • "Aimé Césaire et l'introduction de la notion négritude"
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