BRIEF HISTORY OF THE SOPHIA UNIVERSITY OF ROME
The creation of the Sophia University of Rome, founded by Antonio Mercurio
and a group of close collaborators, is the result of a ten-year process they
underwent together also along with all those people who, in ever greater numbers,
joined them in the journey. Together they gave concrete form to a real possibility
to improve their quality of life, on both a psychological and an existential
level, based on some original intuitions and practical and theoretical discoveries,
for which they also created ways to verify their efficacy.
The first training activities began in Rome in 1970, with the birth of the I.P.A.
(Istituto di Psicoterapia Analitica Esistenziale – The Institute of Existential
Analytical Psychotherapy – which soon became the Istituto di Antropologia
Esistenziale – The Institute of Existential Anthropology – and of
Sophia-Analysis).
In 1978 Antonio Mercurio founded the SOPHIA UNIVERSITY OF ROME (S.U.R.), to
organize and unify the various Institutes that had meanwhile sprung up in Italy
(in Florence, Cosenza, Catanzaro, Taranto, Ascoli Piceno, Bologna, Prato, Pescara,
Catania, Albano, Bari, Milano, Bolzano and Trento) and in Europe (in Geneva,
Brussels, Paris, Grenoble and Marseille). In that same year, Antonio Mercurio
wrote the “Letter to Humanity” (published in the magazine “Persona”
edited by the S.U.R.) , together with a group of close collaborators, which
became the S.U.R.’s manifesto and contains the principles and values the
organization aspires to. It also delineates the two principle training programs
that are held at the Institutes of Sophia-Analysis and of Existential Personalistic
Anthropology.
In 1979, Antonio Mercurio founded the Institute of Sophia-Analysis in Geneva.
In that same year, the S.U.R. held its first seminar on “Prenatal Life”
in Rome, in collaboration with the “La Sapienza” University of Rome
and many other Italian and foreign researchers. The Acts were published in the
S.U.R.’s magazine “Quaderni di Psicoterapia Analitica Esistenziale”
{Journals on Existential Analytical Psychotherapy}.
In Geneva in 1980 the first “International week of Sophia-Analysis”
was held. It was thereafter held annually first in Switzerland and then in Belgium,
France and Italy, and they still continue today.
In 1981 Antonio Mercurio founded the Institute of Sophia-Analysis in Brussels
and, in 1984 together with Paola Sensini Mercurio, founded the Institute of
Sophia-Analysis in Paris.
Also in 1981, Antonio Mercurio, in collaboration with the Institute of Sophia-Analysis
of Florence, presented a paper at the Stensen Institute in Florence entitled:
“Nichilismo o speranza, dalla psicoanalisi alla sophia-analisi”
{Nihilism or Hope, from Psychoanalysis to Sophia-Analysis} , where he proposed
the passage from the analysis of the psyche to the analysis of the wisdom that
is contained within every human being. In this paper, he asserts the importance
of searching not only for the causes of neuroses, psychoses and various conflicts,
but of above all the wise solutions that are in harmony with the SELF’s
project, that characterizes the specific and unique purpose of every human person.
During the same year, the 1st National Congress of the S.U.R. was held in
Pescara, Italy, entitled “Evoluzione del pensiero psicoanalitico da Freud
a Mercurio” {The Evolution of Psychoanalytical Thought from Freud to Mercurio},
and the Acts were published in the magazine “Quaderni di Psicoterapia
Analitica Esistenziale” {Journal of Existential Analytical Psychotherapy}.
In 1983, during the International Congress organized by the ASPI {} and the
S.U.R. entitled “Vita Prenatale. Prospettive scientifiche e culturali
per una nuova concezione dell’uomo” {Prenatal Life. Scientific and
Cultural perspectives for a new conception of humanity}, Prenatal Personalistic
Anthropology was officially born. Many Italian and international researchers
took part in this, and its Keynote Lecture was held by Antonio Mercurio.
In 1984, the 3rd National Congress of the S.U.R. was held in Catania, Italy,
with the theme “Psychoanalysis and Sophia-Analysis in the Interpretation
of Sophocles’ Oedipus Rex”. The Acts of the Congress were published
in the magazine “Quaderni di Psicoterapia Analitica Esistenziale”
{Journal of Existential Analytical Psychotherapy}.
In 1985, during the 4th National Congress of the S.U.R. in Milano with the theme
“Psicoanalisi, Arte e Persona” {Psychoanalysis, Art and Person},
(Acts published by F. Angeli Publisher), Antonio Mercurio presented as the Keynote
Lecture his paper entitled “The Myth of Sophia-Analysis: Life as a Work
of Art”.
In 1986, the Congress entitled “Nascere e poi?” {To be born and
then?} was organized in Ascoli Piceno by Dr. Italia Gabriella Sorgi and Dr.
Domenico Romagnoli, sponsored by the S.U.R.. Among the participants were Fedor
Freyburgh, the President of the I.S.P.P., the International Society of Prenatal
Psychology, as well as professors from the Universities of Strassbourg and Stockholm
and the Italian Ambassador to UNICEF, Giulietta Masina.
Also in 1986, from September 21-28, the S.U.R. participated in the VIII International
Congress of the I.S.P.P. in Badgastein, Austria, by bringing a Sophianalytical
contribution as well as by publishing the Acts of the Congress in 1987, through
its Department for Prenatal Anthropology.
In 1987, the 1st International Congress for Existential Personalistic Anthropology
was held in Assisi from July 19-25, attended by Italians, Swiss and Beligans.
The Acts were published in number 14 of the magazine “Persona”.
Still in 1987, from 28-31 October, the Institute of Sophia-Analysis in Cosenza
organized the 5th National Congress of the S.U.R., entitled “L’Uomo
e il suo futuro – Nuove letture dell’Orestea di Eschilo” {Humanity
and its future – New ways of looking at Aeschylus’ Oresteia}. The
Acts were published under the same name by “Costellazione di Arianna”
publishers.
During the year 1987, the evolution of Antonio Mercurio’s thought gave
rise to Sophia-Art, which proposes a view of human beings as artists of their
own lives. Artists not only bend matter to their artistic intention, but with
their spirit they grasp the secrets of matter and form that others have not
yet perceived, and by doing so they create beauty. A true work of art goes beyond
time, and it conquers a true immortality within the space-time of this universe.
Unfortunately, not everyone who manages to create a work of art becomes also
an artist of their own life. However, if we apply to human life what is valid
for the works of art created by artists, we can understand how human beings,
who have always aspired to conquer immortality, can indeed conquer true immortality
if they decide to realize the deep goal of becoming artists of their lives.
Whereas Psychoanalysis opened the way to more deeply understanding the human
psyche, with Sophia-Analysis and Sophia-Art we can discover the enormous possibilities
and the precious creative, artistic goals that are inscribed within human nature.
These goals become manifest only through the free choices and the responsible
decisions made by each person. Through works of art, humanity has left its mark
of its elevation and its ability to express itself throughout history, but it
must also take into account its destructiveness. If human beings, however, could
become capable of bending not only matter but also their spirit (the I ) to
the intention of art, it is then certain that we could develop a life as a work
of art that would be able to express immortal truth and beauty.
Laboratories on Sophia-Art were then held in Rome from 1987 to 1994 (a total
of 41 laboratories), with 100 to 150 people present each time. The text from
these Laboratories were published by Antonio Mercurio in the book “La
vita come opera d’arte e la vita come dono spiegata in 41 film”
( SUR Publisher, 1995) {Life as a work of art and life as a gift explained in
41 films}.
In 1989, the 2nd International Congress of Existential Personalistic Anthropology
was organized by the Paris Institute of Sophia-Analysis and held in Paris, France,
entitled “La Vita come Opera d’Arte” {Life as a Work of Art}.
The Acts were published by the magazine “Persona” and also in book
form by the publishers Costellazione di Arianna.
In 1991, the 3rd International Congress of Existential Personalistic Anthropology
was held in Martina Franca, Italy, organized by the I.P.A.I.S. of Taranto. The
theme was “Da Cristo a Gandhi, un nuovo modo di concepire la spiritualità
e la politica” {From Christ to Gandhi, a new way of conceiving spirituality
and politics}. The Acts from the Congress were published with the same title
by Costellazione di Arianna.
In 1993, the Olimpiadi della Forza Amorosa {Olympics of the Love Force} of
the S.U.R. were held in Lecce, Italy, with the theme “Dall’esplosione
all’implosione dell’ideale di perfezione assoluta per la creazione
di una nuova umanità” {From the explosion to the implosion of the
ideal of absolute perfection for the creation of a new humanity}. The Olympics
were organized by the I.P.S.A.S. in Lecce, as was the publication of the DVD
of all the performances presented by every Institute and the book “Diario
di Bordo” {The Ship’s Log} , where each Institute shares the experiences
they had while preparing for and participating in the Olympics.
In 1994, Antonio Mercurio created the Choral Group Laboratories of Existential
Anthropology (18 Laboratories were held between 1994 and 2004) that in 2004
were transformed into Choral Group Laboratories of Cosmoartistic Anthropology.
During these Laboratories, attended by the Directors and staff of the various
Institutes affiliated to the SUR, all the decisions regarding the S.U.R.’s
activities and projects are made, and study and research topics pertaining to
Existential Anthropology and its theoretical and practical development are explored.
In the course of the Laboratories Antonio Mercurio has gradually shared the
evolution of this thought, from Sophia-Art to Cosmo-Art. The book “La
nascita della Cosmo-Art” {The Birth of Cosmo-Art}, published by the SUR
in 2000, contains all the material produced during these Laboratories up until
that year.
Since 2004, attendance to these Laboratories has been opened to all the students
enrolled in the various single Institutes as well as to the Directors and their
staff, so as to create a broader choral participation and to be able to transform
the SUR into a single living organism. Each Institute, in the course of two
Laboratories held during the academic year, takes their turn presenting work
on one of the seven Cosmo-Art Theorems and one of the Cosmo-Art Axioms (see
A.M. “The Cosmo-Art Theorems and Axioms” published by the Solaris
Institute, 2009).
In 1994, the Cosmo-Art Group was formed, which is facilitated by A. Mercurio
and his wife Paola Sensini Mercurio. This group, which then became the organizational
staff for the Cosmo-Art Laboratories, works on the Cosmo-Art principles and
on how they can be brought into their lives. They also prepare each Cosmo-Art
Laboratory, following the indications offered by A.M. regarding the Cosmoartistic
interpretation of the film that has been chosen either by him or proposed by
the group.
The goal of Sophia-Art, to become an artist of one’s own life, becomes
enriched by Cosmo-Art, which represents the even greater goal of becoming artists
of the life of the Universe. If humanity can learn to fuse the cosmic forces
with human forces, it can become a co-creator with Life and with the Universe.
Life is eternal but it is not immortal, just as this Universe is not immortal.
With the fusion of pain, wisdom and art, which are cosmic forces, and the fusion
of truth, freedom, love and beauty, which are human forces, humanity can decide
to make an evolutionary step forward and fuse together human and cosmic forces,
and create a quantum of immortal beauty. Human beings who rid themselves of
their narcissism and decide to act as artists instead of as victims, feeling
they are part of a single living organism, can create, in time, an immortal
field of energy that does not die, even when the artists who have created it
die. It is a field of energy that goes beyond the space-time of this universe
and can travel from one universe to another, forever.
Cyanobacteria (the microscopic blue algae of millions of years ago) created
a quantum of oxygen by nourishing themselves with light, and this oxygen added
together created the atmosphere that is at the basis of the biosphere we live
in. The cyanobacteria are now dead, but, thanks to them, life evolved and expanded,
and will continue to expand despite all the apocalyptic religious and non-religious
visions that have circulated throughout human history. The photosynthesis created
by cyanobacteria is most certainly a work of art. The question remains: who
taught them to extract oxygen from light? And who had in mind the birth of the
biosphere, even though the cyanobacteria knew nothing about it?
From life as a work of art immortal beauty can be born that does not yet exist.
Human beings, who have a form of mortal life, have the great power, if they
decide to use it, to create a form of immortal life. This has already been demonstrated
throughout the history of art; now, through a qualitative leap, a new history
of the power of art can begin. Art (Cosmo-Art), by entering into the very life
of human beings and, by transforming their very essence and their existence,
can make an immortal being emerge from a mortal one, and can create immortal
beauty from mortal beauty. What else will be born in the future from this new
field of energy? Light is born from stars, oxygen is born from light, human
life is born from oxygen; what will be born from human life? These are some
of the questions that have given rise to Cosmo-Art.
The 1st Laboratory of Cosmo-Art was held in Frascati (Rome), on June 21-22
1997, facilitated by the Cosmo-Art Group. They are still held today, twice a
year. In 2006 the book entitled “I Laboratori corali della Cosmo-Art”
{The Cosmo-Art Laboratories} was published by the S.U.R. and it contains all
the writings from the first twenty laboratories. In 2010, the 26th and 27th
Laboratories of Cosmo-Art were held.
The first Laboratory had the task of preparing the people within the S.U.R.
for the Cruise of the Ulysseans (the first Ulyssiads of the S.U.R. were held
in July 1998 aboard a cruise ship in the Mediterranean Sea), of those who want
to travel from this universe to other universes by creating secondary beauty.
In 1995, the 4th International Congress of Existential Personalistic Anthropology
was held in Belgium, organized by the Institute of Sophia-Analysis of Bruxelles.
Its theme was “La Menzogna Esistenziale” {The Existential Lie}.
During the same year, the Istituto di Antropologia Personalistica Esistenziale
(IAPE) {Institute of Existential Personalistic Anthropology} was founded in
Rome, followed by Institutes in Taranto, Cosenza and Tempio Pausania. In Ascoli
Piceno the “Laboratorio di ricerca sulle leggi della vita” {Laboratory
of Research on the Laws of Life} was founded, which initiated a path of fusion
between the principles of Sophia-Analysis, Sophia-Art and Cosmo-Art. This path
gave way to a new method called “Sophianalytical Dance Theater”.
Gabriella Sorgi presented this method at the World Council for Psychotherapy
(WCP) Congresses, organized by Prof. Alfred Pritz of Vienna. A group of Russians
were fascinated by it, and they decided to come to the IASCC of Ascoli Piceno
each year to learn this method, along with other colleagues from the Baltic
countries and from Kazakhstan.
In 1999, during the 2nd Congress of the WCP held in Vienna, Antonio Mercurio
and Ombretta Ciapini presented a paper which expresses the hope that humanity
can pass from the myth of Oedipus to the myth of Ulysses. This paper was subsequently
published by Alfred Pritz in the Acts of the Congress. Antonio Mercurio wrote
an ample commentary on the Odyssey, published in 2007, entitled “Ipotesi
su Ulisse” {Hypotheses on Ulysses}. In this book, he expounds on Homer’s
wisdom and on the artistic premise of Cosmo-Art. (the first edition was published
by the S.U.R. in 2007, the second edition was published by Carra in 2008, and
the third edition, in English, was published by the Solaris Institute in 2010).
In 1998, in Belgium, the 5th International Congress of Existential Personalistic
Anthropology and Cosmo-Art was held at the same time as the First Ulyssiads
of the S.U.R.
In 2005, the Second Ulyssiads of the S.U.R. were organized by the Institute
in Tempio Pausania and held in Sardinia. The DVD of the performances done by
the various Institutes was produced by the Directors of the Institute in Tempio
Pausania, Fatma Pitzalis and Luigi Atella.
In this brief history of the SUR we have not mentioned the innumerable cultural
and scientific initiatives that have been organized by the various Institutes
and Centers of the SUR aimed at the social, educational and political spheres.
Here we would like to mention the creation of the “Premio Cinema e Narrativa”
{Cinema and Narrative Prize} for young people based on a Sophiartistic critique
of film. Organized by Dr. Anna Agresti, President of the Microcosmo Association,
it has been held yearly since 1998.
We would also like to mention the weeklong winter and summer seminars of Cosmoartistic
Onirodrama, organized by Dr. O. Ciapini and Dr. B. Bonvecchi, Directors of the
IPAE Institute in Cosenza and held in beautiful areas in Italy, Tunisia, Marocco,
Ithaca in Greece, and in Croatia aboard a sailboat.
The S.U.R., as a new Ulysses, is a group on a journey, where each person learns
to become an artist of his or her own life and of the life of the Universe,
and to choose love and beauty at every crossroads in life, as set down in the
Pact for Cosmoartistic Beauty.